Showing posts with label Institute of Texan Cultures. Show all posts
Showing posts with label Institute of Texan Cultures. Show all posts

Tuesday, May 7, 2013

HemisFair ’68 at Risk



Confluence Theater (now John H. Woods, Jr. U.S. Courthouse), Marmon Mok Associates, 1968 (image credit:  Kim Barker)


By Kim Barker on behalf of the Docomomo US/MidTexMod Chapter
Changes are planned for San Antonio’s world’s fair site, HemisFair ‘68, and they have fans of modern architecture concerned. Intended to celebrate the city’s 250-anniversary and a confluence of cultures, HemisFair ’68 was a six-month exposition opened by First Lady Ladybird Johnson in April 1968 .  Typical of a world’s fair, various states, nations, and corporations built new exhibition halls in the styles of the period, some of which are exceptional examples of modern architecture.  Given San Antonio’s established preservation ethic, they also retained and repurposed some of the nineteenth century residential buildings already on the site before the rest of the neighborhood was sacrificed for fair construction.  HemisFair ’68 attracted 6.3 million visitors but under-utilization since is now prompting redevelopment plans.

A number of iconic buildings were constructed specifically for HemisFair ’68, including but not limited to the Tower of the Americas, Institute of Texan Cultures, and Confluence Theater.  The Tower of the Americas stands 622 feet tall with a rotating top house that served as an observation deck and restaurant.  Designed by Ford, Powell & Carson, the Tower served as HemisFair ‘68’s theme building, and remains the tallest observation tower in Texas.  The Institute of Texan Cultures, designed by Caudill Rowlett Scott and Collins & Wagner to house exhibits and archives on Texas history, is a strong example of high style architecture of its time with its sculptural massing and constructivist minimalism. And, the Confluence Theater by Marmon Mok Associates of San Antonio is an exceptional example of New Formalism with tapered concrete columns around book-matched travertine on one side of the round building, and bronze-colored glass panels on the other half.

Overall, changes to HemisFair ’68 since the fair have been fairly minimal, with the loss of a few mid-century buildings and the addition of fairly limited new construction.  In 1975, the federal government adaptively rehabilitated the Confluence Theater as a U.S. Courthouse and the associated Exhibit Hall became a training center.  A new seven-story federal office building was constructed nearby.  A convention center and the Institute of Texan Cultures continue to anchor opposite sides of the site although the growing convention center market has demanded regular expansion of the original building; the Institute of Texan Cultures remains unaltered. 

Fair planners envisioned that the site would continue to serve various fairs after HemisFair ’68 closed, but it has been largely under-utilized in the ensuing decades.  Small efforts to draw visitors to the fair site, including a large playscape and a welcoming archway, have proven unsuccessful.


Tower of the Americas, Ford, Powell & Carson, 1968 (image credit: Kim Barker)

In 2009, HemisFair Park Area Redevelopment Corporation was formed to manage and oversee large-scale redevelopment of the fair site.  Two years ago, they developed a Framework Plan, endorsed by the City of San Antonio, that includes demolition of all buildings constructed for HemisFair ’68 except the Tower of the Americas, reinstatement of the residential street grid that existed prior to the fair, large-scale mixed-use development, and the creation of additional parkland.  Redevelopment plans are now moving forward.   The Confluence Theater is further threatened by demolition by the City of San Antonio after the building transfers from federal ownership to the City in the next few years.

The pre-HemisFair ’68 buildings are all protected by Texas’ highest designation, State Antiquities Landmark, which requires a permit from the Texas Historical Commission (TX State Historic Preservation Office) before any modifications may occur.  But none of the buildings constructed for HemisFair ’68 are protected in this way, and they do not have other state or federal designations either (redevelopment is subject to review by the City’s Historic & Design Review Commission as a local historic district). 

Texas Historical Commission previously determined that both the Tower of the Americas and Institute of Texas Cultures are eligible for listing in the National Register of Historic Places, and, at the time of writing, eligibility of HemisFair ’68 as a historic district is under consideration.  MidTexMod is hopeful that the other architecturally significant HemisFair ’68 buildings, including Confluence Theater will also be determined individually eligible.  We believe that determinations of National Register eligibility are important to gathering the community support necessary to save these unique buildings from the wrecking ball.


Institute of Texan Cultures, Caudill Rowlett Scott and Collins & Wagner, 1968 
(image credit: Charles Peveto)

Local opinion appears to be shifting towards recognizing the importance of HemisFair ’68 and the architectural significance of at least some of its buildings, aided in part by various organizations drawing attention to the site.  In 2011, MidTexMod hosted a Tour Day event at HemisFair ’68.  The San Antonio Conservation Society, a non-profit advocacy organization, hosted a day-long symposium on modernism in 2012, and has come out in support of retaining significant HemisFair ’68 buildings.  And, AIA San Antonio will host a design charette entitled, “A Brutal Redesign:  Reimaging HemisFair’s Modern Buildings” in mid-April.  We are optimistic that such efforts will lead HemisFair Park Area Redevelopment Corporation to revise their redevelopment plans and retain these important buildings.

Thursday, November 3, 2011

HemisFair '68: Modern Design, Cultural History - More Tour Highlights

More photos have been added. The packet provided on the tour is now available as a PDF for download.

Thanks to those who contributed photos of the tour.
These include photos from Marlene Richardson, who produced a KLRN documentary on HemisFair '68. Watch San Antonio Remembered | HemisFair on-line. Photos were also contributed by Jessica Anderson and Josh Conrad.

The tour was also featured in an article in La Prensa.

On Saturday, October 8, 2011 Mid Tex Mod
hosted a walking tour of the modern architecture and artwork of HemisFair '68. The fair was the first official international exposition held in the Southwest. It had a major impact on the development of San Antonio. Acclaimed architects designed both temporary and permanent structures for the fair, which was a showcase for art, culture, society, and technology. After the Fair, the site was renamed HemisFair Park in one of numerous revitalization efforts.

Below: William Sinkin awaits the beginning of the tour. Mr. Sinkin was the first President of San Antonio Fair, Inc., the corporate body that organized HemisFair '68.

Photo by Marlene Richardson

Dr. Jennifer Speed, a local historian, shared the history of 19th century buildings at HemisFair Park. These buildings are remnants of a vital urban neighborhood, which was largely demolished in an urban renewal effort associated with the siting of the world's fair.

Photo by Marlene Richardson


Photo by Marlene Richardson

James LeFlore, from the San Antonio Office of Cultural Affairs, led the group through outstanding examples of modern artwork created for HemisFair '68. These included the The Confluence of the Civilizations in the Americas, 1968, an exquisite glass mosaic tile mural by Carlos Merida (1891-1984) located in the Convention Center.


Photo by Jenni Minner


Photo by Marlene Richardson

The Confluence of the Civilizations in the Americas, 1968 by Fred Samuelson (b. 1925) provides an expansive view of history. It is located in the Convention Center ballroom.


Photo by Jenni Minner

Detail from mural.

Photo by Marlene Richardson

James LeFlore described Juan O'Gorman's rock mosaic masterpiece on the Lila Cockrell Theater.

Photo by Marlene Richardson


Photo by Marlene Richardson

Detail of Confluence of the Civilizations of the Americas, 1968.

Photo by Marlene Richardson

Tour guides Stuart Johnson, from the San Antonio Conservation Society and Mid Tex Mod, and Jenni Minner, president of Mid Tex Mod, described the architectural merit and historical significance of Marmon & Mok's design for the Confluence Theater. The building was re-purposed as the John H. Wood, Jr. Federal courthouse a few years after the fair. Its future is presently in question as it is part of a large land swap between the federal government and the City of San Antonio.


Photo by Marlene Richardson


Photo by Jessica Anderson

According to the official HemisFair '68 guidebook, the Confluence Theater was clad in "pre-cast marble which was quarried in New Mexico, cut in Missouri, and cast in Dallas. Both the inside and outside the theater are innovations in design and building techniques."


Photo by Jessica Anderson

The group assembled at the Schultze House to hear Bill Sinkin speak about the importance of HemisFair '68. Chris Medina, a collector of HemisFair '68 memorabilia, displayed items from his collection.

Courtesy of Chris Medina. Image from postcard of Confluence Theater, part of the U.S. Pavilion at HemisFair '68.

Left:
Mr. Sinkin's portrait, which was recently hung in the lobby of the Tower of the Americas. Right: Speaking on HemisFair '68 and recent endeavors as CEO of a solar energy company.

Photos by Josh Conrad, University of Texas at Austin

Tour guides stand in front of hand prints of the prominent women responsible for raising funds for the Women's Pavilion. Mrs. William Sinkin and Mrs. John Connally are among the many names. Originally called the Woman's Pavilion, this building is a testament to the changing roles of women in America
n society. It is also a significant example of brutalism and of noted architect Cyrus Wagner.


Photo by Marlene Richardson

The interior of the Women's Pavilion shows the hand of a master in light and space.

Photo by Marlene Richardson

It also displays a desperate need for maintenance and reinvestment.

Photo by Marlene Richardson

See more photos of the Women's Pavilion on previous posts:A photo focuses on the fountain at the Institute of Texan Cultures with Federal office building in the background.

Photo by Josh Conrad, University of Texas at Austin.

The last stop on the tour was the observation deck of the Tower of the Americas. The photo below is from the ground floor of the Tower looking towards the observation deck.

Photo by Jessica Anderson

View of the former U.S. Pavilion from the Tower of the Americas. This two building complex was once the Confluence Theater and the Exhibit Pavilion. These are now the John H. Woods, jr. Federal Courthouse and the Adrian Spears Judicial Training Center.


Photo by Jessica Anderson

Detail of view from the Tower of the Americas showing the Villita Assembly Building designed by O'Neil Ford and constructed prior to HemisFair (Building with flower on top to the left). The Hilton Placio Del Rio Hotel (on the right) was built in record time using an innovative modular construction. Read more about the history of the Villita Assembly building and the Palacio del Rio.


Photo by Jessica Anderson

Send us your photos of the tour to share!
Read about the tour.

Links to more HemisFair information:
HemisFair '68 Online
HemisFair Park Master Plan

University of Texas at San Antonio Libraries Digitized HemisFair '68 Collections: