Showing posts with label Modern Design. Show all posts
Showing posts with label Modern Design. Show all posts

Thursday, May 8, 2014

Docomomo US National Symposium 2014: Modernism in Texas


The Chapel of St. Basil, designed by Philip Johnson in 1997, on the University of St. Thomas campus in Houston. Photo by Kelly Little. 

Fans of Modern architecture flocked to Texas this March for the second annual Docomomo US National Symposium.  The symposium, which took place at the Philip Johnson-designed University of St. Thomas, examined Modernism's legacy and considered its future in Houston and throughout the country.  The conference was co-hosted by our friends at Houston Mod.


Charles Peveto, President of Mid Tex Mod, with
Liz Waytkus, Executive Director of Docomomo US. 
The symposium kicked off with a chapter forum at the Brutalist-style Alley Theatre in downtown Houston.   Leadership from Docomomo US chapters throughout the country came together to discuss issues facing their organizations including general chapter operations, the challenges of building membership, and the importance of social media.  The forum was followed by a walking tour of downtown Houston and a kick-off reception.  Friday and Saturday were filled with an impressive series of presentations by leading architectural historians, archivists, architects, preservationists, and educators about Modern architecture and preservation.  Specific topics ranged from Texas Modernism, the current state of preserving Modern buildings, the ground-breaking work of architectural archivists, and the challenge of preserving the ephemeral.  The symposium provided a national audience of Modern enthusiasts the chance to see many of the significant Modern resources we have here in Texas:  attendees learned about the work of O’Neil Ford at San Antonio’s Trinity University, the Superdome, the El Paso Public Library, radical Architect/Artist Doug Michels and his art agency Ant Farm, and how Modern architects dealt with the abundance of sunlight and heat here in Texas.  The sessions were followed by a bus tour of Modern Houston.

More information about the symposium is available on the Docomomo US website at http://www.docomomo-us.org/news/thats_a_wrap_houston.  

Mid Tex Mod would like to thank Docomomo US and Houston Mod for organizing the symposium, and we join Docomomo in recognizing the sponsors, supporters, and volunteers who worked to make the event a resounding success: AIA Houston, Debner and Company, DSGN, Kuhl-Linscomb, Lantz Architects, Minnette Boesel Properties, Mitsubishi Electric, Susan Vaughan Foundation, SWCA, Texas Architect, The First Church of Christ, Scientist, University of St. Thomas, the Menil Collection, Brochsteins, and the Alley Theatre. 

Stay tuned for the next Docomomo US National Symposium, planned for June 3-7, 2015 in Minnesota. 
Attendees toured Rothko Chapel before an evening reception at the Menil Collection. Photo by Kelly Little.

Thursday, March 27, 2014

St. Martin's Evangelical Lutheran Church


St. Martin's Evangelical Lutheran Church at 606 W. 15th Street in Austin.
Photography credit: PICA 25856, Austin History Center, Austin Public Library.



Docomomo US featured an important Austin mid-century resource in their February newsletter. Many of us have admired St. Martin's Evangelical Lutheran Church while driving down 15th Street. The article "Saint Martin’s Evangelical Lutheran Church: Modernity and Continuity" by Jason John Paul Haskins, Assoc. AIA, LEED BD+C, provides an opportunity to learn more about this 1960 building by Robert Mather of Jessen Jessen Millhouse and Greeven. Haskins says that this "[m]id-century abstraction of the primitive Christian basilica represents a synthesis of international movements in architecture and liturgy uncovering archetypal models of inhabitation and ritual." We encourage you to read the full article on Docomomo's website at http://docomomo-us.org/news/saint_martin's_evangelical_church_modernity_and_continuity.  

Tuesday, May 7, 2013

HemisFair ’68 at Risk



Confluence Theater (now John H. Woods, Jr. U.S. Courthouse), Marmon Mok Associates, 1968 (image credit:  Kim Barker)


By Kim Barker on behalf of the Docomomo US/MidTexMod Chapter
Changes are planned for San Antonio’s world’s fair site, HemisFair ‘68, and they have fans of modern architecture concerned. Intended to celebrate the city’s 250-anniversary and a confluence of cultures, HemisFair ’68 was a six-month exposition opened by First Lady Ladybird Johnson in April 1968 .  Typical of a world’s fair, various states, nations, and corporations built new exhibition halls in the styles of the period, some of which are exceptional examples of modern architecture.  Given San Antonio’s established preservation ethic, they also retained and repurposed some of the nineteenth century residential buildings already on the site before the rest of the neighborhood was sacrificed for fair construction.  HemisFair ’68 attracted 6.3 million visitors but under-utilization since is now prompting redevelopment plans.

A number of iconic buildings were constructed specifically for HemisFair ’68, including but not limited to the Tower of the Americas, Institute of Texan Cultures, and Confluence Theater.  The Tower of the Americas stands 622 feet tall with a rotating top house that served as an observation deck and restaurant.  Designed by Ford, Powell & Carson, the Tower served as HemisFair ‘68’s theme building, and remains the tallest observation tower in Texas.  The Institute of Texan Cultures, designed by Caudill Rowlett Scott and Collins & Wagner to house exhibits and archives on Texas history, is a strong example of high style architecture of its time with its sculptural massing and constructivist minimalism. And, the Confluence Theater by Marmon Mok Associates of San Antonio is an exceptional example of New Formalism with tapered concrete columns around book-matched travertine on one side of the round building, and bronze-colored glass panels on the other half.

Overall, changes to HemisFair ’68 since the fair have been fairly minimal, with the loss of a few mid-century buildings and the addition of fairly limited new construction.  In 1975, the federal government adaptively rehabilitated the Confluence Theater as a U.S. Courthouse and the associated Exhibit Hall became a training center.  A new seven-story federal office building was constructed nearby.  A convention center and the Institute of Texan Cultures continue to anchor opposite sides of the site although the growing convention center market has demanded regular expansion of the original building; the Institute of Texan Cultures remains unaltered. 

Fair planners envisioned that the site would continue to serve various fairs after HemisFair ’68 closed, but it has been largely under-utilized in the ensuing decades.  Small efforts to draw visitors to the fair site, including a large playscape and a welcoming archway, have proven unsuccessful.


Tower of the Americas, Ford, Powell & Carson, 1968 (image credit: Kim Barker)

In 2009, HemisFair Park Area Redevelopment Corporation was formed to manage and oversee large-scale redevelopment of the fair site.  Two years ago, they developed a Framework Plan, endorsed by the City of San Antonio, that includes demolition of all buildings constructed for HemisFair ’68 except the Tower of the Americas, reinstatement of the residential street grid that existed prior to the fair, large-scale mixed-use development, and the creation of additional parkland.  Redevelopment plans are now moving forward.   The Confluence Theater is further threatened by demolition by the City of San Antonio after the building transfers from federal ownership to the City in the next few years.

The pre-HemisFair ’68 buildings are all protected by Texas’ highest designation, State Antiquities Landmark, which requires a permit from the Texas Historical Commission (TX State Historic Preservation Office) before any modifications may occur.  But none of the buildings constructed for HemisFair ’68 are protected in this way, and they do not have other state or federal designations either (redevelopment is subject to review by the City’s Historic & Design Review Commission as a local historic district). 

Texas Historical Commission previously determined that both the Tower of the Americas and Institute of Texas Cultures are eligible for listing in the National Register of Historic Places, and, at the time of writing, eligibility of HemisFair ’68 as a historic district is under consideration.  MidTexMod is hopeful that the other architecturally significant HemisFair ’68 buildings, including Confluence Theater will also be determined individually eligible.  We believe that determinations of National Register eligibility are important to gathering the community support necessary to save these unique buildings from the wrecking ball.


Institute of Texan Cultures, Caudill Rowlett Scott and Collins & Wagner, 1968 
(image credit: Charles Peveto)

Local opinion appears to be shifting towards recognizing the importance of HemisFair ’68 and the architectural significance of at least some of its buildings, aided in part by various organizations drawing attention to the site.  In 2011, MidTexMod hosted a Tour Day event at HemisFair ’68.  The San Antonio Conservation Society, a non-profit advocacy organization, hosted a day-long symposium on modernism in 2012, and has come out in support of retaining significant HemisFair ’68 buildings.  And, AIA San Antonio will host a design charette entitled, “A Brutal Redesign:  Reimaging HemisFair’s Modern Buildings” in mid-April.  We are optimistic that such efforts will lead HemisFair Park Area Redevelopment Corporation to revise their redevelopment plans and retain these important buildings.

Tuesday, September 20, 2011

Free Lecture by Nancy Kwallek: Herman Miller, Inc. and Knoll's color palettes from the 1950s

In conjunction with Mika Tajima's exhibition The Architect’s Garden at the University of Texas at Austin Visual Arts Center, Dr. Nancy Kwallek uses Herman Miller and Knoll as examples to discuss the impact of color on our senses. Through the designs of Alexander Girard and Florence Knoll, the two most significant early modern furniture manufacturers—Herman Miller, Inc. and Knoll International—set the stage for a significant change in color palettes to come for U.S. interiors.

This lecture offers the public a look into discussions between Dr. Kwallek and Mika Tajima on interior design, architecture, and modernism.

The Architect's Garden is curated by Aimee Chang, Manager of Public Programs at The Blanton Museum of Art.

More information